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Amaze, Amaze, Amaze: How Ryan Gosling’s High-Stakes Space Odyssey Conquered the Galaxy and Saved the Box Office

The 'God View' of War: Inside 'Killhouse,' the High-Octane Drone Thriller Taking Ukraine to Global Streaming

Nicolas Cage Swings Into the Shadows: The First ‘Spider-Noir’ Trailer Is a Whiskey-Soaked, Hardboiled Fever Dream

The Brenaissance Just Hit Warp Speed: ‘The Mummy 4’ Jumps to 2027 as ‘Miami Vice ’85’ Claims Memorial Day

Marvel’s High-Stakes Hail Mary: Why the Russos Are Re-Releasing ‘Endgame’ to Bridge the Path to Doom

The Ranveer Revolution: Inside the Rs 1,764 Crore Global Takeover of ‘Dhurandhar 2’

Melted Vanity and Protoplasmic Gore: DC’s ‘Clayface’ Trailer Is a Body-Horror Dirge Set to the Flaming Lips

Blood, Mud, and Revolution: Andrew Garfield and Paul Greengrass Set a 2026 Date for Medieval Epic 'The Uprising'

Blood in the Workshop: The Gruesome Accident Casting a Shadow Over the ‘How to Train Your Dragon’ Live-Action Set

The Golden Order Goes Global: Alex Garland and A24 Are Turning ‘Elden Ring’ Into an IMAX Fever Dream

Lionsgate Play’s High-Stakes Gambit: ‘Heated Rivalry’ Returns as Part of a Massive 100-Title Power Move

Pasta, Prosecco, and a Punch to the Plumber: Why ‘You, Me & Tuscany’ is the Year's Most Elegant Box Office Pivot

A Dynasty of Trauma: Charles Dance Joins 'The Batman Part II' as the Man Who Breaks Harvey Dent

Matthew Shear vs. The Void: How the Indie Darling Turned a Panic Attack Into the Year’s Best Comedy

This Is the Way to the Box Office: ‘The Mandalorian and Grogu’ Tickets Drop After CinemaCon Footage Blows the Doors Off

Jacob Elordi and Margaret Qualley Take Flight in the Sun-Scorched First Trailer for Ridley Scott’s ‘The Dog Stars’

Need for Speed: Tom Cruise and Paramount Light the Afterburners for 'Top Gun 3'

The Schwartz Awakens: How Amazon MGM Is Looting the ‘80s to Save the Multiplex

Betting the House on the Italian Stallion: Anthony Ippolito Channels a Desperate, Starving Sylvester Stallone in the

Blood, Sand, and 15-Perf 70mm: Christopher Nolan Just Weaponized the Trojan Horse in Our First Look at ‘The Odyssey’