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Man, She Feels Like a Maverick: Shania Twain Teases Fierce New Anthem 'Dirty Rosie' Ahead of ACM Hosting Gig

The Gospel According to Rocky: Why ‘Project Hail Mary’ is the $650 Million Miracle the Movies Needed

The Coronation of Priyanka Chopra Jonas: Inside the Night the Global Vanguard Claimed Her Throne

Bhopal’s Burning: Ram Charan and A.R. Rahman Set the Stage for the 'Peddi' Global Takeover

The Quiet Radicalism of the Maren Morris Meet-and-Greet: Why Every Selfie Now Buys a Saxophone

Royalty in the High Desert: Queen Latifah, KATSEYE, and Hootie Lead a High-Stakes 2026 AMAs Lineup

Blood, Glitz, and Gravity-Defying Pop: 'The Lost Boys' and 'Schmigadoon!' Battle for Tony Supremacy

Cardiac Arrest and Comebacks: Robert Malcolm Cumming Faces the Music in the Visceral First Trailer for ‘Elijah Peel’

Rachel Zegler’s Imperial Phase: Inside the Sizzling 25th Birthday Shoot That Redefines a Modern Icon

The Thriller in the Theater: How Jaafar Jackson’s ‘Michael’ Reclaimed the Throne and Swallowed the Box Office

The Queen of the Green: Why Daya is the High-Octane Heartbeat Floralia 2026 Needs

Sin City Stardust: Blake Shelton, Kane Brown, and Thomas Rhett Join Shania Twain for a High-Stakes 61st ACM Awards

No Strings Attached: The Doris Duke Foundation’s $3 Million Power Move to Save the Avant-Garde

The Jesse Collins Dynasty: Why the Television Academy Is Doubling Down on Hollywood’s Hottest Hitmakers for the 78th

A Billion-Dollar Moonwalk: Inside Lionsgate’s High-Stakes Gamble to Turn ‘Michael’ Into a Cinematic Universe

The Era of the Hunter: Inside the Global Tectonic Shift at Billboard’s 2026 Women in Music

Sixty Years of Neon and Grit: The CMA Awards Set the Stage for a 2026 Diamond Jubilee

When in Rome: Dove Cameron and Damiano David Turn Fiumicino Into a Rock-and-Roll Fever Dream

Blood, Leather, and Neon Fever: ‘The Lost Boys’ Reinvents the American Gothic at the Palace

Still Science-ing the Sh*t Out of It: Why 'The Martian' is the 2026 Streaming Comeback No One Saw Coming