Imagine a bassline so thick it doesn’t just hit your ears—it claims territory in your chest, vibrating through your sternum until your heart has no choice but to sync with the kick drum. That tectonic energy is exactly what Anané is unleashing today, April 24, 2026, with the official arrival of “It Looks Like Love.” Dropping via the legendary Nervous Records, the track is a high-voltage reimagining of the 1978 disco gem by Goody Goody, and it carries the kind of pedigree that makes seasoned house purists and new-school shufflers alike drop everything to listen.

Anané has spent decades as the North Star of the global house scene, a relentless force whose reach stretches from the rhythmic soil of Cape Verde to the peak-hour sets of her Nulu Music empire. She has always possessed a supernatural ability to bridge the gap between ancestral spirits and the cold, hard precision of electronic production. With “It Looks Like Love,” she isn’t merely covering a song; she is performing a sonic séance, summoning the ghosts of disco’s golden era and dressing them in the sleek, titanium armor of 2026 club culture.

The Salsoul Bloodline: Vincent Montana Jr. Meets the Nulu Grit

To grasp why this release feels like a tectonic shift, you have to trace the DNA back to the architect. Goody Goody was the fever dream of the legendary Vincent Montana Jr., the “Godfather of Salsoul” and the mastermind behind those lush, orchestral arrangements that defined the Philadelphia sound. When the original “It Looks Like Love” first shimmered across airwaves in 1978, it was a masterclass in flirtatious, high-society disco. Fast forward nearly half a century, and Anané has managed to preserve that playful spark while grounding it in a heavy, hypnotic house groove that feels dangerous and sophisticated all at once.

Her collaboration with Nervous Records—the label that has served as the heartbeat of New York City house music since Michael Weiss founded it in 1991—is a homecoming of sorts. Nervous has always been a sanctuary for those who treat the four-on-the-floor beat as a religion, and this project feels like a natural evolution of that faith. Anané’s vocals are a revelation here; she glides over the production with a warmth that feels deeply human and lived-in. She sidesteps the temptation to over-sing, instead leaning into a cool, rhythmic delivery that honors the original’s breezy charm while injecting her signature Afro-tech edge.

The production is a marvel of balance. It clings to the essential disco elements—that walking bassline and those iconic, rhythmic guitar scratches—but punches up the percussion for the modern sound system. The result is a record that sounds just as incandescent through a high-end club stack as it does through a pair of headphones on a rain-slicked morning commute. It is the “feel-good” house music the industry has been starved for, proving once and for all that soul never goes out of style.

The Global Toolkit: From Chicago Lofts to Berlin Basements

Nervous Records isn’t just releasing a single; they are dropping a comprehensive manifesto for the modern DJ. The supporting remix package is a sprawling journey through the current dance landscape, featuring a heavy-hitting roster of the genre’s finest minds. Christian Mantini, a longtime Anané confidant and Nulu label manager, leads the charge with an interpretation that pulses with a polished, driving energy. It’s the kind of track that will undoubtedly become the defining anthem of peak-hour summer sets from Ibiza to Tulum.

For the heads who crave grit, the Manda Moor & Sirus Hood remix is an absolute knockout. The duo, pillars of the Mood Child collective, have stripped away the disco glitter, replacing it with a lean, mean tech-house skeleton. They keep Anané’s vocal front and center while introducing a dark, wobbling synth line that feels like a late-night descent into madness. Meanwhile, Chicago legend Jamie 3:26 delivers exactly what you’d expect from a master of the Windy City sound: a soul-drenched, raw, and incredibly funky edit that feels like a direct transmission from a 1980s loft party. He leans into the polyrhythmic feast, creating a percussive storm that will have dancers breaking a sweat in seconds.

Rounding out the set is Wnoise, whose contribution adds a modern, atmospheric layer that feels beautifully cinematic. By curated these diverse perspectives, Weiss and Anané have ensured “It Looks Like Love” is a versatile toolkit. Whether the setting is a sunset session or a dark, windowless basement in Berlin, there is a version of this track that fits the vibe like a second skin.

The Icon’s Infinite Horizon

This release lands in the middle of a scorching prolific streak for Anané. Her influence as a DJ and tastemaker has never been more visible. Her Nulu and Nulu Electronic labels have become essential global hubs for the Afro-house movement, while her “Anané’s Ritual” events have evolved into a traveling pilgrimage, hitting everything from the neon chaos of Las Vegas to the spiritual shores of Italy. She is an artist who refuses to be confined by a box, and “It Looks Like Love” serves as a loud reminder of her range. She can command a mainstage crowd of thousands just as easily as she can deliver a nuanced, soul-stirring studio performance.

The industry response has been an immediate roar of approval. DJ pools and early listeners on platforms like Spirit of House and Radio Party Groove are already flagging the track as a heavy contender for song of the summer. The digital airwaves are buzzing, with fans praising the “timeless vibes” and the “perfect vocal match” for the Montana classic. This excitement is mirrored by the vinyl community; collectors at outlets like Dancing Vinyl and Rough Trade are already eyeing the Nervous Records 12-inch pressing, a tactile artifact for those who still believe in the physical weight of house music.

As we transition into the warmer months, “It Looks Like Love” stands as a testament to the enduring power of a perfect melody. Anané has managed to honor the ghosts of disco while firmly planting her flag in the future. With the full machinery of Nervous Records behind her and a remix package that hits every conceivable sweet spot, the world is about to fall in love with this classic all over again. Get your dancing shoes ready—this bassline is about to be everywhere.