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Hayley Williams Just Turned Her Solo Era Into a Global Takeover—And She’s Bringing the Chaos of Rico Nasty With Her

Mike D’s High-Stakes Second Act: Inside the Beastie Boy’s Unexpected Return to the Spotlight

Cerulean Reigns Supreme: Why 'The Devil Wears Prada 2' Is the Most Chic Box Office Takeover in History

Short Shorts, Silver Mics, and Absolute Chaos: Harry Styles Is About to Break the Internet With ‘Dance No More’

Maximum Overdrive: Deep Purple Announces 'SPLAT!' and a Mammoth 86-Date Global Blitz

Cardiac Arrest and Comebacks: Robert Malcolm Cumming Faces the Music in the Visceral First Trailer for ‘Elijah Peel’

The Cockroaches Are Back: Inside the Rolling Stones' Secret Takeover and the 'Foreign Tongues' Era

The Final Cut: Inside the $340 Million Ceasefire Between Blake Lively and Justin Baldoni

He Was a Pirate Before He Was a Poet: First Look at Dominic Sessa in A24’s Anthony Bourdain Biopic ‘Tony’

The Force Strikes Back at Cinema: Why the 'Mandalorian and Grogu' Trailer Is the High-Octane Reset the Galaxy Needs

The Galaxy Just Got Bigger: Mando and Grogu’s First Trailer Is the High-Octane Adrenaline Shot Star Wars Needs

Couture Over Capes: How Miranda Priestly Just Saved the Summer Box Office with a $233 Million Strut

The Canvas is Set: Inside Anna Wintour’s High-Stakes Met Gala Eve Soiree with Sabrina Carpenter and Nicole Kidman

The Immaculate Resurrection: How Madonna and Sabrina Carpenter’s 'Bring Your Love' Hijacked the Zeitgeist

The Kids Are Not Alright: Why Netflix’s ‘Lord of the Flies’ Is the Year’s Most Brutal, Necessary Masterpiece

Neon, Blood, and the Bill Dubuque Touch: Billy Burke Joins Peacock’s Vengeance Odyssey ‘M.I.A.’

Smells Like Galactic Spirit: Inside the High-Stakes Bath & Body Works Star Wars Takeover

Lost in the Feed: Storm Reid’s High-Octane Digital Thriller ‘Missing’ Is Coming to Prime Video

The May Triple Threat: Why Paramount+ Just Became the Most Essential App on Your TV

Halsey’s Time-Traveling Odyssey Hits Full Bloom: Inside the Ghostly, Gritty New Chapters of ‘The Great Impersonator’