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A Dynasty of Trauma: Charles Dance Joins 'The Batman Part II' as the Man Who Breaks Harvey Dent

Matthew Shear vs. The Void: How the Indie Darling Turned a Panic Attack Into the Year’s Best Comedy

The Reign of Meeks: How Myki Snatched the Crown and $200K in a History-Making ‘Drag Race’ Finale

Guts, Gore, and the Uncanny Valley: Inside Lee Cronin’s Brutal Resurrection of ‘The Mummy’

The King, The Cape, and the Collapsing Multiverse: How Robert Downey Jr. and Disney Just Reclaimed the CinemaCon Crown

The Pigeon Finally Gets His Bus: Neil Patrick Harris, Tituss Burgess, and Ellie Kemper Lead Paramount+’s Mo Willems

The Coyote Who Refused to Die: 'Coyote vs. Acme' Toasts Tax Day With a Meta Middle Finger to the Corporate Vault

Empire State of Mind: Godzilla Takes Manhattan in the Jaw-Dropping First Trailer for ‘Godzilla Minus Zero’

The Digital House of Cards Falls: Inside the Scorched-Earth Finale of Netflix’s ‘Fake Profile’

Tom Holland’s Peter Parker Goes Dark, Dirty, and Solo in First Look at ‘Spider-Man: Brand New Day’

The Blue Light of Loneliness: How ‘DTF St. Louis’ Delivered the Most Brutal Bait-and-Switch in Prestige TV History

The Return of the Frontier Queen: Valeska Grisebach Sells Out to The Match Factory Ahead of Massive Cannes Competition

Adrenaline, Asphalt, and Eve Hewson: Channing Tatum’s ‘Isle of Man’ Is the High-Stakes Racing Thriller We’ve Been

The Last Laugh: Jean Smart and Hannah Einbinder’s ‘Hacks’ Swan Song Is a 100% Certified Masterclass in Mutual

Blood, Steel, and Sabotage: Jason Statham Goes Full Nuclear in the First ‘Mutiny’ Trailer

The Unsinkable Ray Stevens: Inside the Country Icon’s Defiant Recovery and Brand New Album

Vir Das Swaps Comedy for Chills in New Found-Footage Horror ‘Baara Number’

Taylor Swift, Kendrick Lamar, and Bathwater? The 30th Webby Award Nominees Are Here

Sadie Sink and Noah Jupe Lead Modern ‘Romeo & Juliet’ in First West End Photos

Radu Jude’s Silver Bear Winner 'Kontinental '25' Opens in U.S. Theaters