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Blood, Glitz, and Gravity-Defying Pop: 'The Lost Boys' and 'Schmigadoon!' Battle for Tony Supremacy

A Bittersweet Homecoming: Randy Jackson’s ‘Idol’ Return Leaves Fans Praying for the Dawg

Blinded by the Green: Sarah Paulson’s Met Gala Protest Was a High-Fashion Middle Finger to the Bezos Era

Dolly Parton Pulls the Plug on Las Vegas: The Icon Talks 'Swimmy-Headed' Health Battles and Her Broadway Pivot

Lizzo’s Scorched-Earth Rebrand: Why Her New Album 'Bitch' Is the Ultimate Middle Finger to a Year of Chaos

Disco Inferno: Trump Claims Credit for the ‘Y.M.C.A.’ Chart Surge and the Rise of the ‘Gay National Anthem’

From Cassian Andor to Corona: Diego Luna Joins the Live-Action ‘Tangled’ Revolution

Tori Amos Conjures a Firestorm: 'In Times Of Dragons' Is the High-Stakes Mythic Epic We Need

No Strings Attached: The Doris Duke Foundation’s $3 Million Power Move to Save the Avant-Garde

Venice is Burning: Inside the Jury Mutiny That Just Broke the World’s Most Prestigious Art Prize

Maria Bakalova is Trading Punchlines for Primal Screams in the Breathtaking First Trailer for 'O Horizon'

Dirt, Grease, and the Ghost of Junior Kimbrough: The Black Keys Reclaim Their Crown on 'Peaches!'

Justice in the Black Hills: Why the Blair Witch Reboot is Finally Bringing the Original Legends Home

Jennifer Garner Is Swapping Thrillers for Nantucket Sunsets in Peacock’s ‘The Five Star Weekend’

Cosmic Country’s High Priestess Plots Her Great Escape: Kacey Musgraves Announces Massive ‘Middle of Nowhere’ Tour

One Night, Three Albums, No Safety Net: Hayley Williams Is Taking Her Solo Universe to the Hollywood Bowl

Believe 2.0: Inside Jason Sudeikis’ Shocking Second Act for ‘Ted Lasso’ Season 4

The $1.16 Billion Power Move: Inside the BMG-Concord Merger That Just Shattered the Music Industry Status Quo

Blood, Leather, and Neon Fever: ‘The Lost Boys’ Reinvents the American Gothic at the Palace

The Shadow Empress of Indie: Quiet Light Eclipses Beck and Lucy Dacus in a Stunning Alt-Chart Takeover