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The Unraveling Never Ends: Olivia Rodrigo Supercharges Her Global Takeover With 16 New Tour Dates

The Witches Are Back, Bitches: Bette Midler, SJP, and Kathy Najimy Officially Board ‘Hocus Pocus 3’

The $25 Billion Flex: How James Cameron and a High-Seas Land Grab Turned Disney Into an Absolute Juggernaut

The Billion-Dollar Roar: How Adam Aron and the 'Apes' Turned the Multiplex into a Gold Mine

Cardiac Arrest and Comebacks: Robert Malcolm Cumming Faces the Music in the Visceral First Trailer for ‘Elijah Peel’

Brat Summer Becomes an Austin Autumn: Spotify’s Algorithmic Alchemy Meets Charli XCX, Lorde, and The xx for ACL 2026

The Cockroaches Are Back: Inside the Rolling Stones' Secret Takeover and the 'Foreign Tongues' Era

The Final Cut: Inside the $340 Million Ceasefire Between Blake Lively and Justin Baldoni

Bittersweet Symphony: Paris Jackson and RZA Defy the Critics in the Gritty, Soulful ‘One Spoon of Chocolate’

Jeremy Jordan and Isa Briones Bottle Bobby Darin’s High-Octane Swagger on the ‘Just In Time’ EP

The Coronation is Complete: BTS’s 'ARIRANG' Shatters the Ceiling With a Historic Sixth Week in the Top 5

The Immaculate Resurrection: How Madonna and Sabrina Carpenter’s 'Bring Your Love' Hijacked the Zeitgeist

From Vermont with Vengeance: Noah Kahan’s ‘The Great Divide’ Just Logged the Biggest Rock Debut in a Decade

The Thriller in the Theater: How Jaafar Jackson’s ‘Michael’ Reclaimed the Throne and Swallowed the Box Office

Halsey’s Time-Traveling Odyssey Hits Full Bloom: Inside the Ghostly, Gritty New Chapters of ‘The Great Impersonator’

Disco Inferno: Trump Claims Credit for the ‘Y.M.C.A.’ Chart Surge and the Rise of the ‘Gay National Anthem’

40 Tracks, One Massive Delay: Why Post Malone Is Risking the Road for ‘The Eternal Buzz’

Sin City Stardust: Blake Shelton, Kane Brown, and Thomas Rhett Join Shania Twain for a High-Stakes 61st ACM Awards

Feathers, Fur, and Identity Crises: Michael B. Jordan and Juno Temple Lose Their Minds—and Their Species—in Netflix’s

Dirt, Grease, and the Ghost of Junior Kimbrough: The Black Keys Reclaim Their Crown on 'Peaches!'