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Requiem for a Longhaired Redneck: David Allan Coe, Country’s Ultimate Outlaw, Dead at 86

A New Argentina: Rachel Zegler and Jamie Lloyd Are Bringing Their Brutalist 'Evita' to Broadway

The Neon Reign: Why ‘KPop Demon Hunters’ Has Toppled ‘Frozen’ to Become the New Cultural Monolith

The Immortal Outlaw: At 93, Willie Nelson Still Has a Gaping Hole in His Guitar and No Intention of Slowing Down

Power-Up: Nintendo and Illumination Stake Out April 2028 for Their Next Global 'Event' Blockbuster

Blue Sky in British Columbia: Inside Raymond Cruz and Cesar Garcia’s High-Voltage Salamanca Reunion

The Beautiful, Bloody End of an Era: ‘Jackass: Best and Last’ Trailer Delivers One Final Salute to Stupidity

The 'Lisa Frankenstein' Spark Goes Dark: Cole Sprouse and Kathryn Newton Reteam for Roxy Sophie Sorkin’s Revenge

Gore, Debt, and the End of the Dream: Inside the Neon Nightmare of Nate and Cassie’s ‘Euphoria’ Wedding

The 'God View' of War: Inside 'Killhouse,' the High-Octane Drone Thriller Taking Ukraine to Global Streaming

Patching In: Kurt Sutter and FX Finally Bury the Hatchet for the Long-Awaited 'Sons of Anarchy' Prequel

Nicolas Cage Swings Into the Shadows: The First ‘Spider-Noir’ Trailer Is a Whiskey-Soaked, Hardboiled Fever Dream

The Invisible Hitmaker: Remembering Cliff Downs, the Sonic Architect Behind TV’s Biggest Moments

The Brenaissance Just Hit Warp Speed: ‘The Mummy 4’ Jumps to 2027 as ‘Miami Vice ’85’ Claims Memorial Day

Demi Lovato’s MSG Takeover: A Soul-Baring Coronation and the Eight-Track Surprise That Rewrote the Night

House of Cards? Ex-Live Nation Exec Drops $35M Whistleblower Suit Claiming 'Culture of Deception' and Cooked Books

Richard Gadd’s Brutal Second Act: Why ‘Half Man’ is the Most Dangerous Show on Television

Lowriders, Soul Serenade, and Pure Showmanship: Bruno Mars Takes Houston to Church on ‘The Romantic’ Tour

The King is Dead, Long Live the King: How 'Dhurandhar 2' Just Dethroned Pathaan as the UK’s Biggest Indian Blockbuster

Virginia Beach Finds Its Soul: How Celeste Kellogg’s ‘Driving East’ Became the City’s Official Anthem